The office:studio choreography stages the blurred boundary between artistic labour and corporate discipline. Opening a copy of the Financial Times, I read an essay of my own inserted into its pages, performing the tension between self-directed artistic work and the rituals of office life. The performance examines the micro-choreographies of contemporary work, the subtle gestures, task-switches, and self-monitoring practices that shape daily labour. Through these movements, the piece interrogates how neoliberal conditions choreograph not only how we work, but how we imagine ourselves working, revealing the performative roles shared by both the artist and the office worker within the modern city.